After his father’s suicide, Robert Edward “Ted” Turner III was CEO of Turner Advertising Company, which he had saved. According to his autobiography, his work life was improving, but his personal life was hectic. His son Teddy was born in March 1963, three months after his father’s death. And by the end of that year, he was getting divorced and Judy had moved with the children to Chicago to be near family. Turner was 25 years old and a divorced father of two. In 1964, he met Jane Smith and married her in less than a year. Shortly thereafter, his son Rhett was born.

Ted wanted to expand. He acquired a Chattanooga, Tennessee, billboard company for $1 million and a Knoxville, Tennessee, billboard company at an estate auction for $53,000. Shortly after these deals, the outdoor advertising business began looking less attractive to Turner because of proposed legislation and advertisers’ exploration of television. Television’s future looked bright, and Turner decided to model his company after Combined Communication, which Karl Eller expanded from a billboard company to include radio and television. Ted bought radio stations in Florida and South Carolina, but he decided he didn’t like the radio business.

By the late 1960s, Turner set his sights on Channel 17, eventually known as WTCG, a financially struggling UHF television station in Atlanta. The owner wanted $2.5 million. Turner didn’t have cash, so he merged with the station. He retained 47% ownership and changed the company name to Turner Communications Group. Turner also bought a bankrupt Charlotte, North Carolina, station, WRET, for less than $1 million; he did this investment personally. The stations were a financial drain. Low on cash, unable to pay suppliers, and at risk of going off the air, Turner did an on-air telethon to raise money. He raised $25,000 and generated goodwill in the community.

Ted recognized that programming should be his focus because it attracted viewers, which led to more revenue from advertisers. His strategy was to find areas where competitors weren’t meeting viewers’ needs and fill those gaps. He paid $600,000 to air sixty Atlanta Braves baseball games a year and went on to cut deals to air Atlanta Hawks basketball games and Atlanta Flames hockey games. His strategy worked: WTGC went from $900,000 in losses in 1970 to $1 million in profit in 1973.

The Braves ownership, losing $1 million a year, offered Turner the chance to purchase the team for $10 million, which he did in 1976. This gave him control of long-term TV rights and guaranteed unique programming.

Turner was still focused on growing his TV stations. This required growing viewers, but there weren’t unlimited viewers in Atlanta. He needed to gain viewers in other markets. He kept hearing about “community antenna television,” so he investigated it. This new technology, better known as cable TV, allowed him to access views in other markets. He learned through trial and error that satellites were the key and built the first satellite uplink station in Atlanta. He changed his company name to Turner Broadcasting System Inc. (TBS) and changed the Atlanta TV station name to SuperStation. The first satellite transmission occurred in December 1976.

With TBS distributed by satellite throughout the southeast, Turner recognized he was sitting on a gold mine. Cable was growing rapidly. As cable operators expanded their coverage areas, they added subscribers. As they added more subscribers, the per-subscriber fees they paid increased, which meant more revenue—but few or no incremental costs—for TBS. Programming (i.e., unique content) was the key to capitalizing on this gold mine and growing revenues and profits rapidly.

Tuner saw news as great content, but it was delivered at times that weren’t convenient for everyone. Turner decided to start a twenty-four-hour-a-day news channel to fill this gap and named it Cable News Network, or CNN. He decided to launch on June 1, 1980. This decision would change his trajectory forever.

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Robert Edward “Ted” Turner III is an entrepreneur known for the Turner Broadcasting System, which birthed the CNN, TBS, and TNT cable channels. Everyone in Atlanta knows of Turner, but I decided to buy his autobiography, Call Me Ted, after reading about his financing deal for MGM/UA in the biography of Kirk Kerkorian.

Turner was born in 1938 in Cincinnati, Ohio. He was sent to boarding school when he was four years old, when his father joined the Navy and his younger sister Mary Jean and mother joined his father on base. Ted’s father was a complicated man. He moved the family to Savannah, Georgia, when he acquired a small billboard company in 1947. He enrolled Ted in The McCallie School, then a Christian military academy in Tennessee. At age twelve, Ted began working 42-and-a-half hours a week at his father’s company in the summers, usually doing manual labor with outside crews.

Growing up in Savannah, Turner learned to sail by joining his dad on sailing trips. His love for sailing was the deciding factor in attending Brown University, which is located on Narragansett Bay in Providence, Rhode Island. After his freshman year, his parents divorced, and his mother and sister moved back to Cincinnati. After Turner lost a bet and failed to honor a commitment to his father, his father stopped giving him a weekly $5 allowance. Frustrated about the situation with his father, he fell in with the wrong crowd and got suspended for the rest of the school year. To fill his time, he joined the Coast Guard as a reservist until he could return to Brown the following semester. Then, after declaring classics as his major, Ted had a nasty falling out with his father, who refused to pay his tuition any longer. He was forced to leave Brown.

Turner briefly moved to the Miami area but was broke, so he started working for his dad’s company, Turner Advertising Company, in 1959. At 21, Turner married Judy Nye, a fellow sailing enthusiast he’d dated long distance. A few months later, his sister Mary Jean died; she was just 17.

Turner moved to Macon, Georgia, with his new bride to take over a small billboard company his dad had acquired. At just 21, Turner ran the company, and within two years he’d doubled its revenue. His marriage with Judy was rocky, but they welcomed a daughter, Laura, in 1961.

In 1962, Ted’s father made a deal with an entrepreneur from Minnesota to purchase General Outdoor Inc., a larger billboard company based in Atlanta. The $4 million deal was financed with debt, and Ted’s father split the acquired assets with the other entrepreneur. Ted moved to Atlanta to help run the leasing department of the acquired company; his family stayed in Macon.

After closing the deal, the fear of losing everything because of the debt load consumed the elder Turner. His behavior became erratic, and he checked into rehab. One day he announced he was selling a big part of the company to the Minnesota billboard entrepreneur, which shocked Ted because it had only been a few months since the closing. A few days later, in March 1963, the elder Turner committed suicide.

Ted was in shock, but he had to pick up the pieces. He was the executor of his father’s estate. The deal to sell General Outdoors assets was signed the day before his father died. It was an informal handwritten note, but it was binding. Turner started renewing billboard leases with General Outdoors customers in the name of his Macon company, which reduced the value of General Outdoor assets being acquired. The buyer was angry and offered to pay $200,000 to have all leases returned, or Turner could pay him $200,000 to retain all the General Outdoor assets. Turner picked the latter but didn’t cash; he paid using his company stock. Cash was still an issue because the $600,000 first payment on the General Outdoors debt was coming due. Turner went into fire-sale mode and sold his father’s 1,000-acre plantation and commercial real estate to raise the funds. He kept his father’s company intact.

Turner was now ready to start rebuilding his family’s empire, but first he’d have to resolve his personal troubles.

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I finished reading more about Felix Dennis. The first book I read about him, which he wrote, detailed his thoughts on how to succeed as an entrepreneur. The second, a biography, described his journey from his early years through his passing at age 67 in 2014. The latter book contained less detail about Felix’s entrepreneurial journey than I’d hoped, but I still learned some new things about him.

How Did Dennis’s Early Years Affect His Trajectory?

His parents’ dynamic had a big impact on Dennis. His father leaving when Dennis was four put pressure on his mother to provide for her sons. Working as a bookkeeper, she realized a career in accounting could be her savior. She became laser-focused on becoming an accountant so she could provide. The positive was that Dennis saw work ethic and focus pay off for his mother. But her sons were neglected and didn’t get much, or any, motherly warmth from her. Felix followed in his mother’s footsteps: he was laser-focused on his goals and outworked everyone else to make them happen.

His parents struggled to keep their general store open, and his mother struggled as the sole provider. There wasn’t a lot of money, and at one point, Dennis’s living arrangements included an outside toilet and no electricity. Dennis was determined never to live like that again. “Under no circumstances would I stay poor,” he wrote. His determination fueled his pursuit of financial freedom.

Felix was in his early twenties when the Oz trial ordeal began. It was a rude awakening to how the world really works and how unfairly the establishment treats certain people. He decided he needed money to put himself on a fairer playing field with the establishment and to make it possible to defend himself if necessary. This realization about money was another factor that fueled his pursuit of financial freedom.

How Did Dennis Become So Successful?

The Oz trial had a significant impact on British society. It made Dennis an icon and gave him an edge, especially in the publishing world. This standing opened doors for him and allowed him to make several critical deals. His name alone would get him meetings with people or allow him to steal deals that competitors considered won but that weren’t closed.

Dennis was a master at identifying market gaps and filling them with something people would love. He was highly gifted at being in tune with what people wanted. He had a deep understanding of how customers thought and how to create publications that resonated with them. He was what the venture capital world would call a hipster and played this role repeatedly, especially in his partnership with Peter Godfrey and Bob Bartner. Maxim's outsize international success was a result of Dennis’s hipster abilities.

Felix was also an unapologetic opportunist who had a keen sense for markets that were severely underserved or would be underserved because they would grow rapidly.

Another contributor to his success was that he didn’t have a wife or children, so he could work longer hours and take bigger risks without worrying about the impact on his family.

Dennis was gifted with words. He knew how to talk to people in a way that resonated deeply with them. He made everyone he conversed with feel like they were the only thing that mattered. He mesmerized people when he spoke with them. This made him a superior salesman who could close almost any business deal. It also made him a gifted poet and womanizer.

What Kind of Entrepreneur Was Dennis?

Dennis was a founder. Most of the businesses he was involved in started from nothing. As his empire and resources grew, he bought some publications, too.

Dennis believed that making money was a skill. He applied it to publishing, but he believed he could have applied it to any industry and done well. His confidence in his moneymaking skill led him to take risks that others wouldn’t dare take.

Dennis was also a marketing genius. He instinctively knew how to get and keep people’s attention. This served him well in publishing because attention was what he sold to advertisers.

Dennis was a colorful entrepreneur who changed publishing in the UK and the United States. I’m still curious about some aspects of his journey and will be reading more about him.

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In 1994, Jolyon Connell recognized that newspapers were bigger but people were busier, so they had less time to read them. He created a weekly digest magazine, The Week, to solve this problem. When Felix Dennis heard about the magazine, he invested. Within a year, he had 51% ownership. According to the biography about Dennis, he saw the magazine’s potential and had the resources at Dennis Publishing to take it to the next level. Realizing “the reader was king,” he focused on building a solid subscription base by adding value for readers. It worked, and the U.S. version launched in 2001. The Week was on a par with Newsweek and Time magazines and gained Dennis a level of respect from other publishers, which had avoided him before.

In 1995, Dennis Publishing launched Maxim magazine. The secret to its breakout success was a gap in the market. No one was publishing magazines for young men, ages 18 to 34, as they were for young women. Women’s magazines were more general. Magazines targeting men were specialized. Young men interested in science or physical fitness also “watched sport[s], talked about girls, and ate chicken wings.” Maxim filled this void by appealing to the universal interests of all men in a bold way. It sold 350,000 copies in the UK when it launched.

In 1997, Maxim U.S. was launched by Dennis and his two U.S. partners, Peter Godfrey and Bob Bartner. Creative marketing became a key to U.S. success. Maxim became known for throwing unbelievable parties, which gained celebrity attention and made attractive female celebrities inclined to pose on the magazine’s cover. It also creatively engineered getting promotion from Howard Stern, whose radio show was one of the most popular in the nation. Maxim was a gigantic success in the U.S. and sold 1.2 million copies per issue—10 or 20 times more than rivals like GQ and Esquire. At one point, Maxim U.S.’s ad rates rivaled TV ad rates. Maxim gained a cult following because, as Dennis put it, “it was the first beer truck to reach the desert.” Maxim positioned itself as the best conduit to connect advertisers with a large audience in this hard-to-penetrate demographic.

In 2007, Maxim was wildly successful in various countries when Dennis Publishing sold Maxim, Blender, and Stuff magazines to private equity firm Quadrangle Capital Partners, netting $240 million.

Flush with cash, Felix started to lean more into a passion he'd be developing for almost a decade, poetry. He bought a home on Mustique Island in the Caribbean and spent most of his time there, writing poetry. He published books of poetry and even went on tours reading his poetry in the U.S. and UK. Then, in 2011, Felix began to have health issues. First it was throat cancer, which shocked him. He was lucky; he survived after successful neck and mouth surgery. He eagerly resumed his poetry tours when, in 2013, he was diagnosed with terminal lung cancer. That diagnosis was devastating, and Felix decided to spend his remaining time mostly alone. On Sunday, June 22, 2014, Felix passed away.

Dennis was a pirate and maverick who happened to also be an entrepreneur. He enjoyed going against the establishment and shaking things up. He forced his way into what was then a stuffy industry and left a lasting impression on it. His outsize success forced his peers to respect him and change how they thought about the publishing business. Dennis’s track record of success over decades was undeniable, and many of the publications he started still exist today. But for all his success in publishing, his true passion ended up being writing and sharing his poetry. Building a publishing empire was a means to that end for Dennis.

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Felix Dennis began to hit his stride after selling MacUser magazine in 1986. According to the biography of his life, he’d landed on a strategy: creating magazines in growing markets, building them up, and selling them to larger publishing houses. That strategy helped him build his initial capital base, but it was about to change.

When MacUser was sold, Dennis and his partners realized that the biggest ad source was computer component sellers. Ads were driving massive revenue for those sellers, they discovered. The trio decided to launch Micro Warehouse as a mail-order company selling computer parts. It helped that they’d managed to secure 24 pages of free advertising as part of the MacUser sale.

The trio landed on two magic ingredients. They used sales to individual users of Mac computers inside corporations as a trojan horse to eventually sell parts to PC users (a much bigger market) in those organizations, too. And they offered $3 overnight shipping to build trust with corporations that weren’t yet comfortable with mail order. These ingredients, along with Dennis creating an attractive catalog, quickly produced $500 million in annual revenue. When the company held its IPO in 1992, it was receiving ten thousand calls from customers daily. The IPO was a huge financial success for Dennis and his partners.

During this period, Felix launched and acquired several other publications and renamed his firm Dennis Publishing. But he was also dealing with personal demons. He began to hire prostitutes to feed his sex addiction. He also developed an addiction to crack cocaine. These problems and a grueling work schedule led to Dennis being hospitalized and almost dying at age 41. This near-death experience, combined with financial freedom and other factors, would lead to Dennis discovering his true passion and next career.

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After the Oz trial, Felix Dennis was on a mission: to make money so he’d have the resources to defend himself if necessary. And he would make that money doing what he knew best: publishing. Oz magazine shut down in 1973, and Dennis set up a new company, H. Bunch Associates, with Dick Pountain.

According to his biography, their first foray was into the world of Bruce Lee and Kung Fu. They published a poster magazine, which was wildly successful. This led to a variety of merchandising products and a book. All these items did well, and the money rolled in. Bruce Lee saved them.

Dennis started seeking other magazine opportunities. He co-authored a book about Muhammad Ali, which did well. He tried a variety of poster magazines, including Starsky & Hutch. Dennis’s new mindset had taken him from idealistic hippie publisher to opportunistic, mainstream publisher.

He also searched for opportunities in the United States, and set up a new company, Paradise Publications, with Peter Godfrey and Bob Bartner. This partnership would change Dennis’s life.

Around 1980, Felix acquired majority ownership in Personal Computer World magazine because the owner had followed the Oz trial and greatly respected Felix. In 1982, Felix sold the magazine to a large publisher for £3 million. It was his first taste of real money.

In 1984, Felix launched MacUser and began managing his company from New York City. MacUser was in partnership with Godfrey and Bartner. Felix handled creative work, and they handled distribution and printing in the States.

Circulation soared, and in 1986, Ziff Davis bought MacUser magazine for $21 million. Felix and his partners had life-changing money. But Dennis wasn’t done yet; in fact, he was just getting warmed up.

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Felix Dennis founded Dennis Publishing, created Maxim magazine, and cofounded Micro Warehouse Inc. I read Dennis’s book How to Get Rich: One of the World's Greatest Entrepreneurs Shares His Secrets last month and wanted to know more about his journey, so I read the biography of his life, More Lives Than One: The Extraordinary Life of Felix Dennis by Fregus Byrne.

Dennis was born in the United Kingdom in 1947. His father was a war veteran who opened a general store. Though his parents worked fourteen hours a day, the store failed. When Felix was four, his father went to Australia in search of a better life for his family. He never returned. Dennis never saw his father again, and his parents divorced years later.

Like his mother, Dennis was dominant and abrasive, and the two butted heads constantly. Growing up without a father forced Felix to grow up quickly and assume the role of head of the house. He had a disdain for authority from an early age, which led to his expulsion from multiple schools.

Dennis joined a band in 1962 and developed his showmanship skills on stage, but he was kicked out because he was too aggressive and needed to run the show. Around this time, he was expelled from Harrow Technical College and School of Art.

At this point in his life, Dennis was directionless. Then he noticed a magazine called London Oz and, after a night of drinking, recorded his thoughts about the publication. He mailed the tape to the magazine’s headquarters, and it was featured in a BBC story. The founder gave Dennis a bale of magazines to compensate him. Dennis immediately sold all of them, and that led to a 50/50 sales deal. After continued sales success, Dennis joined the magazine’s team. He brought energy and helped the magazine realize that reader demand was stronger than they’d known.

Dennis spearheaded focusing advertising sales on the music industry, which kept the company afloat. He then became the business manager and got the business operations and finances in order. He also developed a keen eye for what would resonate with readers and assisted in the editorial direction of each issue.

The magazine’s 1960s hippie vibe clashed with the conservative views held by the British establishment. When the magazine published an edgy issue, its offices were raided by the Obscene Publications Squad. Dennis and the two other founders were arrested and tried. They were found guilty on two of three charges and Dennis was sentenced to nine months’ incarceration.

The media, realizing the repercussions of these sentences for the media industry, railed against them. The public was outraged. People demonstrated. After political pressure from Parliament, the convictions were overturned on appeal. Decades later, this trial was still talked about as an event that changed British society by advancing freedom against the establishment and challenging its authority.

For Dennis, the trial was life-changing. It highlighted the fact that without money, he couldn’t fight back against “bogus” charges. Had he had money, his case would never have gone to trial. He realized how lucky he was to not be in jail. He’d never thought about money before, but after that experience, it was all he thought about. He never wanted to be unable to defend himself again. He was determined to make money, and a lot of it.

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I finished reading about William Richard “Billy” Wilkerson’s journey. The biography details Billy’s life through 1947, when he was about 57. Billy passed away in 1972 at age 71.

How Did Billy’s Early Years Affect His Trajectory?

Billy’s family was financially unstable because of his father’s gambling trade. Then his father’s unexpected death thrust Billy and his mother into poverty. Fear of poverty would drive Billy’s work ethic for the rest of his life. He vowed that neither he nor his mother would ever experience that again.

Billy may have inherited a compulsive personality or developed one by watching his father. Billy began gambling as a young man, and it became a full-blown addiction by the 1940s. Trying to satisfy his need to gamble, along with his fear of poverty, is what drove him to build the Flamingo Hotel. And Billy was compulsive in other areas as well. He was known to drink an average of twenty Cokes and smoke three packs of cigarettes a day while working at his desk.

How Did Billy Become So Successful?

Billy didn’t have a safety net and feared failure, so he was extremely detailed in his planning and execution. This attention to detail served him well and led to The Hollywood Reporter and his various restaurants and nightclubs being known for quality and attention to detail. This was perfect for attracting the elite patrons Billy targeted who happily paid premium prices.

The businesses Billy launched attracted elites from various networks. People wanted favorable write-ups in The Hollywood Reporter or reservations at his popular restaurants and night spots. As a result, Billy was able to build a Rolodex of influential people who sometimes owed him favors. This put him amid the flow of information, so prime opportunities came his way. It also put him in position to open doors and get things done that might seem impossible. Billy’s businesses reduced his network distance and allowed him to create relationships with the right people, which benefited him tremendously. The more elite people who knew him, the more elite people there were who wanted to know him.

Billy got into a growing market early and rode the wave of growth. He fell into the film business in the 1910s but soon realized its potential. As it grew and advanced to motion pictures, he moved to the epicenter of this rapidly growing industry: Hollywood. He then positioned himself as the source of news about the industry. As the movie industry's popularity among the masses grew, The Hollywood Reporter’s popularity rose too. Even the President of the United States was an avid reader. Billy’s magazine was the conduit through which everyone learned about the fascinating, new, and rapidly growing industry. This gave him tremendous power and led to big profits.

Billy also combined being a visionary with an ability to think through the necessary plans and closely manage their execution. His ability to think at a high level and get into the execution weeds contributed to his success.

What Kind of Entrepreneur Was Billy?

Billy was a founder. He didn’t focus exclusively on one business, but he built his businesses from the ground up. He never bought anything. He started with a vision for each and worked to turn that vision into reality. He went from an idea to a thriving, operating business repeatedly and managed several successful companies simultaneously.

Billy wasn’t the greatest capital allocator, though. He was known to lease his restaurant locations instead of buying them and rarely reinvested profits to grow his businesses. This was likely because his gambling addiction consumed so much cash.

Billy was never content and got bored easily. This likely contributed to his bizarre pattern of selling some of his businesses on a whim when they were doing well. This never made sense to those around him, but Billy was sometimes restless and enjoyed the thrill of pursuing new endeavors.

What Did I Learn from Billy’s Journey?

My biggest takeaway from this biography is that there’s no such thing as a good partnership if your partner is a bad person. Even if that person brings tremendous complementary skills or vital resources to the table, it’s not worth it. Bad people often look out only for their own interests and don’t honor their commitments. Great paperwork can’t protect you from a bad partner, so avoid bad partners at all costs. Do your research before you go into business with anyone.

Control is why many entrepreneurs start companies. When they lose control, they become miserable.

Some businesses have properties that allow them to manufacture magnetic luck, which is the hardest type of luck to have. If a business has these properties, the returns can far exceed the financial returns.

Building businesses that generate cash flows consistently and avoiding debt is the way to control your destiny. Even if you have a gambling problem, those businesses will replenish the cash you gambled away. Limiting debt allows you to weather any rough periods and maintain ownership of your cash-generating businesses.

Billy was a colorful entrepreneur whose life was full of excitement. His vision reshaped Las Vegas from a desert town to an entertainment metropolis. Ninety-three years after Billy printed his first issue, The Hollywood Reporter is still going strong. I’m glad I stumbled upon Billy, and I plan to look for more books about his journey.

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In December 1946, William Richard “Billy” Wilkerson received a call from J. Edgar Hoover, the director of the FBI. According to the biography of his life, the two were cordial friends who enjoyed betting on horse races and opposed communism. Hoover warned Billy that Benjamin “Bugsy” Siegel was dangerous and that the investor group might try to take control of his project, the Flamingo Hotel—and that Billy’s life might be in danger. The warning came too late; Billy was in too deep.

Two weeks before the Flamingo Hotel’s rushed opening, Bugsy called a meeting of shareholders in Las Vegas and announced there that he’d sold 150% of the project to investors. All shareholders would need to take a haircut to resolve the situation. Bugsy told Billy that he’d have to give up his 48% ownership stake and wouldn’t be paid for it—and if he didn’t, he (Bugsy) would be killed, and further, that if he were going to die, he wouldn’t go alone; he’d kill Billy first. Billy then realized that Bugsy had no intention of honoring his legal commitments.

His life in danger, Billy rushed back to Hollywood that same night. His lawyer threatened Bugsy and filed affidavits about the meeting with the district attorneys in Las Vegas and Los Angeles, the FBI, and the attorney general.

Billy went to Paris to hide. He still believed the investor group would fire Bugsy once they found out what Bugsy was doing. Billy decided to make sure the investors knew how bad things were. He used The Hollywood Reporter to publicize the project’s cost at the time: over $5 million, five times Billy’s original budget. The investor group now knew what had been hidden from them. This was a dangerous move by Billy.

Bugsy moved forward with the opening on December 26, 1946, and it was an epic failure. As Billy had predicted, with no hotel rooms available to gamblers, they took their winnings elsewhere. Within two weeks the casino had lost $275,000. Bugsy couldn’t understand what was happening and shut down the entire operation in late January. He had spent an additional $750,000 on operating and building costs. By April 1947, the total project cost was over $6 million.

Billy’s lawyer urged him to sell, but he refused. He believed his 48% ownership in the $6 million investment would do well once Bugsy was replaced. But hiding in isolation in Paris wore Billy down, and he instructed his lawyer to sell for $2 million. Bugsy’s lawyers countered at $300,000, and Billy came back at $1 million. The final offer from Bugsy was $600,000. Billy didn’t want to accept, but he didn’t want to die either, so he accepted the deal. On March 19, 1947, Billy signed the deal for a $300,000 initial payment with the remainder to be paid in August.

With the deal done, Billy returned to Hollywood in March. Within days, he got a call saying there was a contract to kill him. Within 48 hours, Billy was back in Paris.

The Flamingo reopened in March 1947, the same month Billy had planned for initially. Bugsy asked his investors for more time, and the property even generated a surprise profit in May. But it was too late. Bugsy’s credibility with the investor group was damaged beyond repair. In late May 1947, Billy was about to return to Hollywood when his office got an anonymous call warning him to stay in Paris until everything was over. On June 21, 1947, Billy opened the newspaper to learn that Bugsy had been murdered. He returned to Hollywood on June 23, 1947. His partnership with Bugsy was over.

Minutes after the shooting that killed Bugsy, Gus Greenbaum and Moe Sedway took control of the Flamingo. They changed some things to make it appeal to more people—not just to people with huge budgets. In the first year of their management, the Flamingo turned a $4 million profit.

Billy’s vision for Las Vegas was surpassed, to his astonishment. Developers took Billy’s vision to new heights and transformed the sleepy desert city into a luxury gambling mecca. The stretch of land outside of town where Billy started became the famous Las Vegas strip. Even though his vision for the Flamingo and Las Vegas became reality, Billy never spent a night in the Flamingo. In fact, he gave up gambling cold turkey when his son was born in October 1951. After six decades, becoming a family man gave Billy the strength and purpose to kick his gambling addiction.

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William Richard “Billy” Wilkerson had a policy of working with the best people. According to the biography of his life, sometimes that meant working with gangsters. During Prohibition in the 1920s, Billy ran several speakeasies for New York City Mayor James “Jimmy” Walker and later owned several himself in the city. Billy relied on gangsters to supply his liquor because they were the best.

In 1942, Ben “Bugsy” Siegel had murder charges against him dismissed after witnesses died during his trial. Bugsy was from New York City and well respected in organized crime circles, but he was known for being short-tempered. He moved to Hollywood to go legitimate and become a movie star, but his ego got in the way. Instead, he became a playboy and made money in familiar illegal ways.

Myer Lansky and Bugsy were close, and Lansky ordered Bugsy to explore expanding organized crime gambling activities in Nevada. Bugsy hated the desert and the extreme heat and stayed in Beverly Hills. He turned his responsibilities over to Moe Sedway. But when Lansky pressured Bugsy to oversee the investment group’s Flamingo Hotel investment and Billy Wilkerson, Bugsy reluctantly agreed.

Billy was shocked that Bugsy was his partner, but he made the best of it and mentored Bugsy. He even had his service providers sit with Bugsy to fill his knowledge gaps regarding all aspects of the project. Bugsy was glad to learn and worked to win Billy over. He was in awe of Billy’s visionary and business skills and tried to emulate him.

It wasn’t long before Bugsy became jealous of Billy’s talents. He contradicted Billy’s decisions behind his back and told people the Flamingo idea was his, not Billy’s. He demanded more of a hands-on role. Billy didn’t want that, but he gave in to keep the project moving. Bugsy would manage the hotel portion; Billy would manage everything else.

Bugsy went crazy spending and, within one month, spent the entire budget for the hotel and demanded more money. Billy was alarmed and realized that Bugsy could be stopped only by the investor group, but they refused to rein him in.

Bugsy demanded control of the entire project and talked the investor group into this, but he promised that Billy would have creative control and manage the operation when it opened. In reality, Bugsy wanted to destroy Billy, and Billy started to realize this as he witnessed Bugsy’s irrational behavior and outbursts. To get complete control, Bugsy bought creative participation from Billy by giving him an extra 5% ownership stake in the project. In June 1946, Bugsy formed the Nevada Project Corporation of California and named himself president and the largest principal owner. Everyone else—including Billy—was listed as merely a shareholder.

With Billy entirely out of the picture, Bugsy went on a spending spree. It was clear to everyone except Bugsy that he didn’t know what he was doing. His changes added to the project costs and forced him to raise more money from investors.

Bugsy still wasn’t happy because Billy owned 100% of the land. He offered to buy the land, and they struck two deals in 1946 that resulted in Billy getting an extra 10% ownership in the project in exchange for the land. Billy owned 48% of the project.

Costs kept increasing, and by October 1946, the project cost was over $4 million—four times the original budget. Investors were upset and asked for a full accounting of the project—and said that if they didn’t get it, there would be no future funding. Bugsy got a loan for $600,000 from Valley National Bank in Phoenix and started raising cash by selling nonexistent stock in the project. With pressure mounting, Bugsy planned to open the hotel early during Christmas 1946, even though the hotel rooms wouldn’t be ready. He was hoping gambling profits would help him pay back investors and buy him more time. Billy knew that Hollywood’s elite didn’t travel during the Christmas holidays and that opening without hotel rooms was a death wish.

When Billy shared his views, Bugsy didn’t listen; in fact, he exploded. That would come back to haunt him.

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